“For years Sam Tucker, John Fix, and Lars Bodie made their way across the American West by rustling cattle and outshooting their enemies. Now wanted men, they head through Mexico, one step ahead of the law, until a Mexican peasant begs them to save a beleaguered town from the Men Who Walk Like Wolves. VERDICT Bloody fights, desert vistas, a touch of romance, and plenty of werewolf action make this a fast-paced adventure. Screenwriter and author Red (DON’T STAND SO CLOSE) delivers a supernatural Western that should appeal to fans of the growing “weird West” genre.” –Library Journal

THE GUNS OF SANTA SANGRE is available in trade paperback or Kindle edition at http://amzn.to/1hETNlP

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“Antarctic Press is proud to announce the publication of the new six-issue comic series WILD WORK, an epic vampire action horror western! And here’s a dazzling look at the 1st issue’s jaw-dropping cover!

In 1888, Professor Abraham Van Helsing pursues Count Dracula into the American West.  Wooden stakes and spurs, silver bullets and six-guns, side by side. Bullets fly, hell on earth around every hitching post and enough blood spilled to turn the western desert into a crimson sea. It’s going to be one “Hell-sing” of a ride!

The series is created and written by film director and screenwriter Eric Red, whose films include the legendary modern cult classics THE HITCHER, NEAR DARK, BODY PARTS and 100 FEET and who previously created and wrote the comic series CONTAINMENT for IDW Publishing. The cinematic artwork is by Ben Dunn. the founder of Antarctic Press and a man who has worked for almost every publisher on the planet as well as creating a plethora of titles and characters for his own company. The covers are by John Gallagher, the acclaimed entertainment illustrator working across film, television, video games and comics on such projects as ONCE UPON A TIME, FALLING SKIES and EUREKA and films such as THE GREY and APOLLO 18.”

THE GUNS OF SANTA SANGRE is available in trade paperback and eBook at your local bookseller, from Samhain Publishing at http://bit.ly/1aGwxAg or from Amazon at http://amzn.to/18o8QwT.

Read the full review at  http://bit.ly/1j4Jm99

DON’T STAND SO CLOSE is available in hardcover, trade paperback and eBook from SST Publications at http://amzn.to/1eMmfTt

Read the full review at http://bit.ly/1iyBUCY

Order THE GUNS OF SANTA SANGRE in trade paperback or Kindle edition at http://amzn.to/1hETNlP

To order, follow the link to the Antarctic Press store: http://bit.ly/16vmhtA.

Eric Red kicked in the doors and smacked me around in the mid-1980s. His scripts for NEAR DARK and, in particular,  THE HITCHER were the stuff of geek dreams. His writing had precision-tooled, B-movie mechanics and plots built with a merciless, gleeful desire to give the people what they want in ways that surprised us.

His best work, in my humble opinion, emerged when he directed his own hit-man masterpiece, COHEN & TATE, where mean and funny and brutal and thrilling all hold hands and sing “Kumbaya” as Roy Scheider (fucking Roy Scheider!) and Adam Baldwin duke it out over the delivery of a 12-year-old eyewitness to their mafia bosses.

I’ve kept up with his film work, but I had no idea he’s been producing horror and other pulp fictions on the page for some time, too. Samhain Publishing now releases a short novel that displays a characteristic panache.

THE GUNS OF SANTA SANGRE has, at its core, a plot almost as perfect as SNAKES ON A PLANE: werewolves in the Old West. A vicious pack of banditos has holed up in a small-town church, terrorizing and daily snacking on the townsfolk. One young citizen sneaks away, hoping to convince some other vicious pack of bandits to ride in, melt down the silver and plug the lycanthropes. There isn’t a Western or werewolf cliché Red doesn’t welcome into the saloon.

As in his movies, the familiar is served up neat, no chaser; there’s an economy to his storytelling that will reward readers looking for the rush of mayhem. It’s an old-fashioned, well-made dime novel, doing Louis L’Amour, Elmore Leonard and Richard Matheson proud. And there’s a bite of Tabasco in the shot, small doses of razor wit: a gunslinger asking about a hapless civilian, “Who’s the sombrero?”; a drunken prisoner carefully sizing up his escape plan while a wolf man rips up the cells.

My only caution is that it’s relentlessly familiar: the saloons and slang; the virginal, feisty Mexican woman love interest; THE MAGNIFICENT SEVEN thug-vs.-thug match-up at the core of the plot. I had hoped to be kicked out of the saddle a little more often. Still, the book begins at a gallop and never lets up.

Once again, Red delivers the pulp goods. And it’d make a helluva film. —Mike Reynolds

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