The second novel by Eric Red, screenwriter of the horror classics THE HITCHER and NEAR DARK, is THE GUNS OF SANTA SANGRE, a horrific western, I’ll say this: it reads very much like an Eric Red movie with its fast moving narrative that mixes breakneck action and gory horror in a manner Red practically invented, albeit without the budgetary and censorship issues that tend to mar so many of his films (which in addition to the abovementioned masterworks include lesser efforts like COHEN AND TATE, BODY PARTS and 100 FEET). I wouldn’t call this novel great, although I would say it’s above average.

The setting is old west Mexico, where a pack of werewolves have taken over a small town and its church Santa Sangre (meaning Holy Blood, and a tribute, I assume, to the Alejandro Jodorowsky film of that title). There Pilar, a hot chick who initially masquerades as a man, is desperate for some pure-hearted bandits to show up and take on the werewolves. It seems she’s found her heroes in the form of Tucker, Fix and Bodie, an infernal trio of tough-as-shit Americans. After a period of (entirely understandable) hesitation the three gunslingers, all wanted for murder in the U.S., join Pilar’s cause, leading to a splatterific MAGNIFICENT SEVEN-on-steroids climax.

Structurally the novel is impeccable, showcasing Red’s storytelling instincts at full power. As in so many of Red’s scripts, the emphasis is on horrific action throughout, with the mushy parts kept to a minimum. The western setting is depicted with a great deal of atmospheric grit and grime, while the characterizations are about as you might expect–which is to say the people in this novel are all developed just as much as they need to be and no more.

The unforgiving shape shifters make for fitting antagonists (angsty Anne Rice creations they aren’t), and the whole thing clocks in at an economical 201 pages. Thus, in the category of unpretentious action-horror THE GUNS OF SANTA SANGRE works without question. Those wanting something more resonant are advised to look elsewhere.

—www.fright.com

Read the full review at http://bit.ly/1cgD5WK.

Check it out at www.ericred.com.

To view trailer, click on the link:  THE GUNS OF SANTA SANGRE book trailer

“They’re hired guns.  The best at what they do.  They’ve left bodies in their wake across the West.  But this job is different.  It’ll take all their skill and courage.  And very special bullets.  Because their targets this time won’t be shooting back.  They’ll fight back with ripping claws, tearing fangs and animal cunning.  They’re werewolves.  A pack of bloodthirsty wolfmen has taken over a small Mexican village, and the gunmen are the villagers’ last hope.  The light of the full moon will reveal the deadliest showdown the West has ever seen—three men with six-shooters facing off against snarling, inhuman monsters.”

The book is available now from Samhain Publishing at your favorite bookstore, on-line bookseller or at samhainpublishing.com.

Coming in trade paperback and eBook from Samhain Publishing Nov. 5th. Available for pre-order now at http://amzn.to/18yKCyr

Reviewed by Michael R. Collings

For connoisseurs of the Old West, Eric Red’s The Guns of Santa Sangre has all the elements of a classic:

*It opens with a fast-and-furious stagecoach heist;

*It has outlaws who, beneath their coarse exterior, boast hearts of gold;

*It has cruel, corrupt representatives of the law, who deserve everything that happens to them, and more;

*It has touches of Seven Samurai and The Magnificent Seven…with perhaps a tiny wink in the direction of The Three Amigos;

*It has sacrifice and heartbreak;

*It has a beautiful heroine disguised as a boy, even though the disguise isn’t exactly perfect;

*It has a town drunk who hides a secret that has kept him alive…and acts as the key to his redemption;

*It has gunplay and horseplay;

*It has a treasure in silver waiting for the taking;

*It ends with the heroes riding off into the sunset, justice…and love…having prevailed.

And…oh yes!…it has WEREWOLVES!

Somehow, though, everything weaves together nicely to create a fun, rapid-paced yarn. The werewolves are given enough background to make their presence entirely logical; and the remaining—human—characters run true-to-type without quite becoming stereotypes. Their actions are at once unique to each and representative of what one would expect in a good Western.

Three gunslingers on the run from an American bounty hunter and the Mexican authorities meet a young Mexican peasant who convinces them to help his small village, now overrun by ruffians who have made their headquarters in the local church. Their reward: the silver statues and other artifacts in the church. All they need to do is kill the ruffians.

Sounds simple enough. Three against a dozen or so…no problem.

Until, of course, one factors in the supernatural. Ruffians killed by day rise again in the night as werewolves, insatiably hungry for human flesh…and they’ve almost run out of villagers.

Quick, smooth, easily read, The Guns of Santa Sangre satisfies on both accounts. It is an almost filmic rendition of the time-honored traditions of the Western, with a deftly handled incursion of the unnatural, with the two blended into a single, intriguing story.

Read the full review at http://hellnotes.com/the-guns-of-santa-sangre-book-review

PLOT: Under a full moon, a hardened trio of Pistoleros are tasked with ridding a Mexican village of a rabid wolf-men infestation.

REVIEW: The great Eric Red has wasted little time pounding out his second novel, THE GUNS OF SANTA SANGRE, which I’m happy to report is an utterly enjoyable read! If his first novel DON’T STAND SO CLOSE was a welcome alternative for the slightly younger crowd who thoroughly despised the TWILIGHT saga, SANTA SANGRE is for the hardened horror head who craves an even more violent, visceral, overall priapic experience. Set in the arid Mexican desert, Red’s prose and storytelling are somewhat redolent of Cormac McCarthy and Stephen King, with SANTA SANGRE evoking shades of what a twisted lovechild of BLOOD MERIDIAN and SILVER BULLET might cast. High praise indeed. Even higher praise is due, because of his many years of screenwriting experience, to the way Red paints such a visual world without subjugating the importance of believable, three-dimensional characters whose journey we truly care to ride along with. Props Mr. Red, you’ve done it once again!

The titular GUNS refer to Tucker, Bodie and Fix – a troika of hired gunmen with a bounty swirling overhead for their inglorious ways – with SANTA SANGRE referring to men’s destination, a small village dubbed Saint Blood, named too for its portentous past. The two troubled nouns are on a collision course of grisly destiny, but until that fateful full-mooned night finally arrives – we live, breathe, drink, sweat and fight with the gun-slinging trio on a bloody warpath of bare survival. Tucker assumes the de facto leader role, Bodie’s a sizable Swede with muscle, while Fix is the consummate pragmatist. Together they’re a formidable gang you don’t want to cross, physically or otherwise. As the story starts, the gunmen are on the run, but they soon happen upon a young peasant girl named Pilar who solicits their much needed help. You see, her family village has been pillaged by a legion of wolf-men – Men Who Walk Like Wolves – a race of 8-foot tall, red-eyed, bear-clawed monsters who skulk the night under a full moon. Quite a tall task for our gruff, no-shit-taking antiheros…especially considering the beasts’ insatiable penchant for human flesh. Are the boys up to it?

What I love most about SANTA SANGRE is the seamless marriage of not just horror and western genres, which I always appreciate, but rather the specific folkloric interplay between the outlaw and the werewolf subgenre. Eric Red is no stranger to such tropes, remember, he made the iniquitously undervalued BAD MOON back in 1996…which sort of touched on similar themes. Here though the gauntlet is thrown down with hardcore force, highlighted by prose and story-action that are boastfully brusque, ultra-bloody and unremittingly brutal. Seriously, if babies getting gulped-up-whole by ravenous Wolf-Men might offend you, well, I say suck it up and take the hit. I really do. For the AITH crowd though, this is a surefire must read…fevered, sweaty and dusty by day…twisted, gory and hyper-violent by night. It’s the kind of successful genre mash-up Hollywood has tried to get right on many a occasion, often with tragic and laughable results. Refreshingly, though only literary at this stage (fingers crossed), THE GUNS OF SANTA SANGRE aims high and hits the bulls-eye dead f*ckin’ center!

Along the way, we meet a few other ancillary characters…many of whom parish, few who survive. One such is an 85 year old drunkard with an intimate knowledge of werewolves, having survived many an ominous full-moon rampage. His liquor stench hides the smell of human flesh, thereby giving him agility. It’s through him we learn more about the feral bloodthirsty beasts that await the gunmen, namely how silver bullets through the heart are the main way to dispatch such a nasty foe. Sounds rudimentary at first, sure, but remember this is the old west. Silver is much harder to come by, and when you finally do procure any amount of it, the raw material must be melted down and molded into properly calibrated ammunition. No easy feat. But quite auspiciously, the gunmen learn that the church in Pilar’s village is rife with all kinds of silver trinkets…many of which promised to them after mission complete. The three brutes agree to help, saddle up, and make their way to Santa Sangre. What bloodily befalls them in the interim is up to you to find out!

Thankfully though, it’s those very auxiliary characters and slight tangential red-herrings that keep the journey from ever being stale. If it weren’t for the offshoots and subtle misdirects, the story might be little more than a compilation of high-caliber action set-pieces, whereupon the trio of gunmen ride into a new town, show down, blow shite up, and move right the hell along (not that that would be a bad thing on its own mind you). As it is, the heft of those gnarly confrontations are more noticeable amid some of the lighter lulls we find all characters – the main three and others, namely Pilar – experiencing throughout. In shorter, there’s a measured balance Red strikes between the hyper-furious shootouts and the contemporaneous character building…and in a true symbiotic fashion, each one makes the other better. Like its own blood-flow, the story stays fresh and it stays rich!

In the end, THE GUNS OF SANTA SANGRE is a fun, good-old-fashioned horror read that often defies werewolf convention. It’s brisk. It’s bold. It’s bloody as hell. And as a lifelong storyteller who thinks in pictures, Eric Red will set us in one direction then deliberately crack the compass and laugh right in our face. Which is fantastic! The book is unpredictable like that, which keeps the story fluid and vibrant all the way to the climax. Spikes of terror, lulls of laughter, extremely well drawn and ultra-violent action scenes, deftly shaded characters we can care and root for…all make for a potent-hundred-proof-brew of fictitious bliss. I shit you not – hardened horror head or not – go out and get this book ASAP!

9 out of 10.

See full review at: http://www.joblo.com/horror-movies/news/book-review-the-guns-of-santa-sangre-written-by-eric-red

Plus fiction and non-fiction by David Morrell, Jonathan Maberry and others. Come on, how many magazines are cool enough to put out a hardcover collector issue?

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